A heavy song doesn’t start as a finished riff and a perfect hook. It starts as a feeling, a voice memo, a half-built demo, and a band willing to tear it down and rebuild it until it finally hits. We sit down with Ohio rock band Archer’s Gate for a deep, practical talk about collaboration, vocal harmonies, and the real behind-the-scenes work that turns an idea into a release you can blast in the car.

We get specific about their songwriting process, from who brings the first spark to how they pressure-test arrangements in pre-production with scratch tracks, pads, and evolving structures. The band also breaks down their studio workflow with Sonic Lounge Studios and engineer-producer Joe Viers, including why producer coaching changes vocal performances, how Pro Tools sessions move back and forth, and why recording clean stems for re-amping keeps tones flexible without losing personality. If you love gear talk, you’ll hear how they think about guitar roles, drum impact, and bass tone shaping with clean plus dirt blending.

Then we go straight into the heart of the music. Emily shares the story behind “Metamorphosis,” using the butterfly lifecycle as a metaphor for life transformation and the hard seasons that come before growth. The band also unpacks “Suffocate,” weaving anxiety, pressure, and breathwork-inspired vocal textures into a track that feels as tense as the message. We wrap with what’s next: album plans, marketing support, building the right team, and what they actually want from management.

Subscribe for more artist interviews, share this with a musician friend, and leave a review if you want more deep dives like this. What part of the band’s process do you want to hear more about next?

Episode Links

• Archers Gate: https://www.archersgateband.com/

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• Jay Franze: https://jayfranze.com/
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• High Mountain Breezes Music: https://highmountainbreezesmusic.com/
• VR Knives: https://www.facebook.com/VRKnives

A great heavy band does two jobs at once: it punches you in the chest with sound, then pulls you closer with truth. Jay Franze sits down with Ohio recording artist Matthew Fritsch, vocalist for Life After This, to talk about the moments that shaped his approach to modern metal and hard rock, starting with the impact of Papa Roach. We get into what “stage energy” really means, how crowds become one unit, and why the most powerful lyrics are often the most direct ones.

Matthew breaks down his songwriting process as a vocalist who doesn’t play instruments, building songs collaboratively from a riff-first foundation and then writing melody and lyrics after the music reveals its mood. We also talk about why he pushes for variety across the catalog, keeping every track on the same street but not in the same house, and how vulnerability in vocal performance can be just as heavy as screaming.

Then we go behind the curtain: building a real music community through presale ticket hustle, hanging with fans after sets, and even renting a school bus party ride to bring supporters to a show. On the production side, Matthew shares what it’s like recording at Sonic Lounge with engineer Joe Viers, trusting creative ideas, and dialing in a mix with feedback that serves the song. Subscribe for more interviews, share this with a friend who loves heavy music, and leave a review with the one band that taught you to be braver.

Episode Links

• Life After This: https://lifeafterthis.com/

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• Jay Franze: https://jayfranze.com/
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Shout Outs

• High Mountain Breezes Music: https://highmountainbreezesmusic.com/
• VR Knives: https://www.facebook.com/VRKnives

One scoop of vanilla ice cream after dinner sounds harmless until it turns into a band tradition, and it’s the perfect opener for a conversation that quickly gets real about what a working musician’s life actually looks like. We’re joined by Les Janssen, a New York bassist with deep roots in rock, a love for great feel, and the kind of touring experience that forces you to think about everything from stage sound to airport baggage claims.

We talk about playing at Daryl’s House and why consistent production changes the entire night for both musicians and the crowd. From there, Les walks us through his early start on bass, the influence of growing up in a musical family, and how the discipline of learning technical music (hello, Rush) can be a gift and a challenge when you’re trying to get back to pure rock and roll groove. He also shares advice he gives younger players: don’t become a pattern player, learn the basics, and stay open-minded so you don’t trap yourself in one lane.

Then we dig into gear and career realities: the Michael Kelly bass he helped design for real-world fly dates, the small design choices that make an instrument feel “high-end,” and what the NAMM show is like when you’re working a booth, meeting other pros, and still squeezing in performances. Les also connects the dots between Journey tribute worlds like The Voyage and playing with Steve Augieri, plus the travel stories that come with it including a private jet sprint stuffed with gear.

We wrap with studio life, from tape-era lessons and apprenticeship habits to modern home recording with Universal Audio Apollo interfaces, Cubase, and remote session work. If you’re a bass player, producer, or just curious about the behind-the-scenes of touring and recording, this one is packed with practical takeaways. Subscribe, share this with a musician friend, and leave a review with your favorite road or studio lesson.

Episode Links

• Les Jansson: https://www.lesjansson.com/

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• Jay Franze: https://jayfranze.com/
• JFS Countdowns/Playlists: https://jayfranze.com/playlists/

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• Support: https://jayfranze.com/support/
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Shout Outs

• High Mountain Breezes Music: https://highmountainbreezesmusic.com/
• VR Knives: https://www.facebook.com/VRKnives