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The first official day of CMA Fest always feels a little like the first day of school. Everyone is excited, everyone is running on too little sleep, and Nashville suddenly becomes the center of the music universe for a few days.
For me, CMA Fest 2026 started with a phone call.
Before I ever made it into town, Jason Hale, musician, longtime friend, and previous guest on The Jay Franze Show, reached out and asked if I’d be around during the festival. The answer was an easy yes. He told me he had recently started working with Darryl Worley and invited me to a private fan club event at 3rd & Lindsley.
Not a bad way to kick off CMA Fest.
I’ve spent a lot of time at 3rd & Lindsley over the years. I’ve attended countless shows there and even worked out of the venue filming videos for artists. Walking through the doors felt familiar, but there was something new waiting. Recent renovations have expanded the main floor and relocated the stage, transforming the room from the old corner-stage setup into a much more traditional performance space. The changes work. The room feels bigger without losing any of the intimacy that has always made 3rd & Lindsley one of Nashville’s favorite listening rooms.
As I settled into my seat, a bartender appeared offering complimentary food and drinks, a welcome surprise and a pretty nice touch considering I’d already mentally prepared myself to go broke before noon.
Then the band took the stage.
No dramatic introductions. No flashing lights. No smoke machines trying to convince anyone they were watching something bigger than it actually was.
Just four exceptional Nashville musicians, including Jason Hale on bass, walking onto the stage to support one of country music’s most recognizable voices.
And honestly, that’s all they needed.
What immediately stood out was how intimate the entire performance felt. This was a full band show, yet somehow it carried the warmth and storytelling atmosphere of a songwriter round. There was never a sense that Darryl Worley was performing at the audience. It felt more like he was sitting in a living room full of friends sharing songs and stories.
Of course, when your catalog includes songs like “I Miss My Friend,” “Awful, Beautiful Life,” and “Have You Forgotten?” you’ve already got a pretty strong foundation to work from.
The hits were all there.
But what made the afternoon special wasn’t just hearing familiar songs. It was hearing the stories behind them.
Worley has always possessed that rare ability to connect with people through conversation as naturally as he does through music. Between songs, he shared stories, memories, and plenty of laughs. His dry humor kept the room engaged, and the audience responded like family members gathered around a dinner table.
In many ways, that’s exactly what this event was.
Because this wasn’t simply a concert. It was a gathering of fans who have followed Darryl’s career for decades.
Watching him interact with those fans, was truly impressive. He wasn’t vaguely recognizing faces from the stage. He was calling people out by name. Remembering stories. Recalling details from previous conversations. In an industry where artists often meet thousands of people every year, that’s not something you can fake.
The requests kept coming throughout the afternoon.
And when the scheduled ending time arrived, nobody seemed particularly interested in ending anything.
Least of all Darryl.
Rather than looking at a clock, he simply kept playing.
That’s the thing about artists who genuinely love what they do. The schedule becomes more of a suggestion than a rule.
When the final song finally ended, the experience still wasn’t over.
Worley made his way around the room greeting people personally before heading toward the back to sign autographs and take photos with every fan who wanted one. Not some of them. Not most of them.
Every single one.
Before making his way into the crowd, he stopped to thank me for coming. Then he mentioned a photograph he’d taken years ago with my daughter.
My now sixteen-year-old daughter.
Who was four years old at the time.
And just like that, I was reminded of something important.
Darryl Worley isn’t just a great artist.
He’s a genuinely good human being.
Those are two very different things.
And while one often creates success, the other creates longevity.

As memorable as the fan club show was, the story didn’t actually end there.
After spending the day running between meetings, shaking hands, and walking every square foot of Nashville, I headed over to Music Valley to meet some friends.
Eventually we landed at Music City to catch a performance by the Nashville Playboys, an all-star collection of musicians that never disappoints.
Then something happened that perfectly summed up everything I’d witnessed earlier that day.
In walked Darryl Worley.
Not with an entourage.
Not making an entrance.
Not looking for attention.
Just Darryl and his wife looking for a place to sit down and enjoy some live music.
Eventually the band invited him up, and he happily joined them for a few songs. The crowd loved it. The musicians loved it. Darryl seemed to love it.
But what happened afterward may have been even more telling.
He thanked every musician on stage before stepping off.
Then he stayed.
He didn’t disappear backstage.
He didn’t leave after his songs were finished.
He stayed for the remainder of the show, watched the band perform, greeted fans who approached him, took photos when asked, and did it all while making sure the spotlight remained on the musicians who were actually working the room that night.
In Nashville, where egos occasionally arrive before the artist does, that level of humility stands out.
A lot.
Final Thoughts
There are artists who become famous because they write great songs.
There are artists who build lasting careers because they connect with people.
Darryl Worley has managed to do both.
The songs have always been strong. That’s never been the question.
But after spending a day watching him interact with fans, musicians, venue staff, and complete strangers, it became clear why people continue showing up year after year.
The voice may have introduced people to Darryl Worley.
The man is what keeps them around.
And for a festival built around country music’s biggest stars, there may not have been a better way to start CMA Fest than spending an afternoon with an artist who still remembers what made people fall in love with country music in the first place.
Authenticity.
And thankfully, Darryl Worley still has plenty of it.
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A leaky heart valve. A brand-new piece of medical tech called a Harmony valve. And a country singer who’s back on Broadway faster than most of us would return to the gym. We’re joined by Tennessee recording artist Stephanie Rabus, and she tells the full story, from being born with a serious heart murmur and having open-heart surgery at 11 to facing pulmonary regurgitation decades later and choosing a transcatheter pulmonic valve replacement instead of another long recovery.
From there, we zoom out to the working-musician reality in Nashville. Stephanie breaks down what it’s like to gig on Broadway when there are no sick days and your income depends heavily on a tip jar that can swing wildly from night to night. We talk about fear, pacing yourself after surgery, and the mental toughness it takes to keep chasing a dream when the industry loves to tell you you’re “too old” or “too late.”
We also get deep into the craft behind her new single “I Told Me So” (out May 15): the co-writing room, the emotion that comes from lived experience, and how a simple work tape can turn into a finished master with the right producer and world-class session players. Plus, we dig into vocal health and vocal production, including when pitch tools help, when they hurt, and what vocal therapy taught her about breathing, hydration, and staying consistent for the long haul.
If you care about country music, Nashville songwriting, Broadway gigs, vocal health, or what “making it” really means today, you’ll get a lot out of this one. Subscribe, share it with a friend, and leave a review so more listeners can find the show.
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