Legends Rise (King of Clubs, Columbus, OH) 8/1/26

It was one of those nights where live music fans had way too many choices.

There were major concerts happening all over the Midwest, but when Matthew Fritsch reached out and asked if I’d make the trip to Columbus to shoot his show at the King of Clubs, I didn’t hesitate. I’d already made one trip to the venue earlier this year to photograph Twist It, and I left that night wondering if I loved the venue because of the room…or because Twist It absolutely blew the doors off the place.

Turns out, it was both.

Here’s the funny part…

Somewhere during our conversation, I completely missed the fact that this wasn’t actually a Life After This show. I loaded up my gear expecting to photograph the band’s original music, only to discover after arriving that it was an entire night dedicated to rock tribute acts.

And, well…

I was pleasantly surprised.

Tribute bands have exploded in popularity over the last several years, but I’d never really spent an evening covering an entire lineup dedicated to celebrating legendary rock bands. If anyone was going to convince me that tribute nights deserved the attention they’ve been getting, I figured it was probably going to be these guys.

The King of Clubs sits about two hours north of me, so I left around 4:00 p.m. to give myself enough time to hang out with the band before the show. It was one of those perfect summer drives, mid-80s, overcast skies keeping the heat in check, and almost no traffic. I wish every road trip to a concert was that easy.

I pulled into the parking lot just as Matthew arrived. The rest of the band was already unloading gear, so instead of standing around pretending to look important with a camera around my neck, I jumped in and helped load equipment.

That’s one of the things I like about nights like these.

People see the lights, the music, and the crowd, but they don’t always see the hours of work that happen before anyone walks through the front doors. Cases get rolled in, cables get run, drums get assembled, guitars get tuned, and somewhere in the middle of all that chaos, everyone is somehow still laughing.

After checking in with the venue staff and grabbing my media pass, I took some time to get my camera gear ready and scout a few angles. I remembered the balcony. It’s one of my favorite places to shoot because it gives you a completely different perspective than standing in the pit all night.

Once the stage was set, the guys disappeared backstage to get ready while I wandered around talking with the venue staff and the band’s crew.

Then the lights went down.

The massive LED wall behind the stage lit up with the Legends Rise logo, complete with a subtle nod to Godsmack, and within seconds the room went from quiet anticipation to organized chaos.

And I mean that in the best possible way.

Legends Rise never tries to convince you they’re Godsmack.

They’re not wearing costumes.

They’re not trying to imitate Sully Erna’s every move.

They’re simply four incredible musicians paying respect to a band they clearly admire.

Ironically, that makes the performance feel even more authentic.

Matthew Fritsch attacks the stage with enough energy to make you tired just watching him. Whether he’s climbing onto the risers, working every corner of the stage, or leaning into the crowd, he never lets the momentum drop for even a second.

Guitarist Thomas Cheek is just as entertaining to watch. His playing is locked in, but it’s his animated stage presence that keeps pulling your eyes across the stage.

Meanwhile, bassist Ray Vitatoe and drummer Matt Johnson build the kind of rhythm section that you don’t just hear, you feel it. Every kick drum hits you square in the chest while Ray’s bass locks everything together with that thick, driving groove Godsmack fans expect.

Of course, that’s probably what happens when you’ve spent years playing together as Life After This. Chemistry like that can’t be faked.

The evening itself was basically a celebration of hard rock.

Legends Rise opened with a tribute to Godsmack before handing things over to Sanitarium, paying tribute to Metallica, followed by Last Train to Ozz, honoring Ozzy Osbourne.

I’ll be honest…

Tribute bands have exploded in popularity over the last few years, and not all of them are created equal.

These were.

I’ve been fortunate enough to see Godsmack, Metallica, and Ozzy Osbourne over the years, so I don’t throw comparisons around lightly. Every band on this bill had obviously spent countless hours perfecting these songs, but it wasn’t just the accuracy.

It was the passion.

None of these musicians looked like they were simply going through the motions. They looked like fans who happened to be talented enough to recreate some of rock’s greatest songs at an incredibly high level.

And the crowd fed off every second of it.

As Legends Rise wrapped up their final song, my phone buzzed in my pocket.

It was my wife.

Back home in Northern Kentucky, tornado sirens were sounding as severe storms rolled through the area. She wanted to let me know that she and the family were taking cover and, make sure I knew what was happening in case the weather decided to follow me north toward Columbus.

For a few moments, my mind shifted from camera settings and stage lighting to radar maps and weather alerts. Thankfully, everyone back home was safe, and once I knew they were okay, I could turn my attention back to what had been an outstanding evening of live music.

One thing that really stood out happened after Legends Rise left the stage.

Instead of disappearing backstage, the band headed straight to the merch booth, talking with fans, signing merchandise, taking pictures, and introducing people to their original band, Life After This.

That’s just smart.

If someone walks away thinking, “If their tribute band is this good, I wonder what their original music sounds like?” you’ve just gained a new listener.

Even better, the guys stuck around for the rest of the night to support the other bands instead of packing up and heading home after their set. That’s something audiences rarely notice, but other musicians always do.

It’s the kind of thing that tells you exactly who people are.

By the end of the night, I had my answer about the King of Clubs.

It wasn’t Twist It.

The venue itself deserves the credit. Great sightlines, excellent production, a friendly staff, and enough room that there really isn’t a bad place to watch a show. After two visits, it’s quickly becoming one of my favorite venues in Ohio.

As for Legends Rise…

They reminded me that tribute bands don’t have to be impersonators to be great.

Sometimes all it takes is four musicians who genuinely love the music they’re playing, and have the talent to make you forget, even for a couple of hours, that you’re not watching the original band.

I’ve become a big fan of Life After This over the past several months, and after seeing what they can do as Legends Rise, I’ll happily make the drive to catch either project again.

Some shows are memorable because of the music.

Others stick with you because of the people you meet.

This one managed to be both.

Links

Devin Milton (Lori’s Roadhouse, West Chester, OH) 7/18/26

Saturday, July 18, 2026
Lori’s Roadhouse – West Chester, Ohio

Some concert nights begin with hours of anticipation. Others begin with a sprint through the rain carrying thousands of dollars’ worth of camera gear.

Saturday night landed somewhere in the middle.

With doors opening at 4 p.m. but music not kicking off until 8, I left home around 6:30 for the easy half-hour drive to Lori’s Roadhouse. Rain was coming down just enough to make me hustle from the house to the car, hoping to keep my equipment dry. Fortunately, traffic cooperated, and I rolled into the parking lot just after 7 p.m., giving myself plenty of time to settle in before showtime.

Lori’s Roadhouse has become familiar territory over the years. This wasn’t my first visit, and walking through the doors felt more like returning than arriving. I still remember my first time there as a guest of Jason Hale while he was playing with Kyle Fields opening for Clay Walker. Since then, I’ve come to appreciate what the venue offers: a unique combination of restaurant, bar, and live music destination that has become a favorite stop for country fans throughout the Cincinnati area.

After checking in and getting my credentials confirmed, I exchanged a few laughs with security before making my way to the bar. The crowd was still filtering in, giving me time to grab dinner. The chicken tenders deserve a mention of their own, each one looked more like an entire chicken breast than a typical tender. Needless to say, nobody leaves Lori’s hungry.

Once dinner was finished, it was time to get to work.

I claimed my spot in front of the stage, unpacked my camera gear, dialed in a few test shots, and waited for the lights to come alive.

When Devin Milton and his band finally hit the stage, they didn’t waste a second.

Rather than easing into the night, they jumped straight into their set with confidence and energy that immediately drew the attention of everyone in the room. It’s always easy to tell when an artist has built a loyal hometown following, and Saturday was no exception. Fans sporting Devin Milton shirts filled the dance floor early, singing along, dancing, and creating the kind of atmosphere every performer hopes for.

Milton understands something that many cover artists miss: variety keeps an audience engaged.

Throughout the evening, he blended country favorites with well-placed rock songs, changing gears at just the right moments to keep the momentum rolling. Instead of feeling like a collection of unrelated covers, the set flowed naturally, allowing each style to complement the next while giving the audience plenty of reasons to stay on the dance floor.

Backing Milton was a tight four-piece band featuring guitar, bass, keyboards, and drums. They provided a solid musical foundation throughout the evening, locking into each song with consistency while giving Devin room to lead from center stage. Playing four hours, with only a short break, is no small task, but the group maintained their energy from the opening song through the final encore-worthy moments of the night.

Whether interacting between songs or simply feeding off the audience’s enthusiasm, he never let the energy dip. The people up front responded to everything the band threw at them, and that relationship between performer and audience is what transforms a good night of live music into a memorable one.

As the final notes rang out, the crowd slowly made their way toward the exits while I packed away my cameras and headed for home.

Sometimes the biggest touring acts get all the attention, but nights like this are a reminder of why local and regional music scenes continue to thrive. Devin Milton and Company delivered exactly what their fans came for: four hours of energetic entertainment, strong musicianship, and a setlist that kept people dancing from beginning to end.

If you’re looking for an evening filled with great live music, familiar songs, and a band that clearly enjoys being on stage, catching Devin Milton live is time well spent.

Links

Life After This (Annie’s Music Center, Cincinnati, OH) 7/10/26

Life After This with Archers Gate, Asayda, and Bury Us All
Friday, July 10, 2026
Annie’s Music Center – Cincinnati, Ohio

Some nights start with chaos before you ever walk through the gate.

I left the house later than planned after my wife got home from work, and my daughters Bella, Valen, and I took a friend’s visiting daughter out for dinner before heading to the show. By the time I pulled into Annie’s Music Center, it was still hanging around 87 degrees with the kind of humidity that makes your camera strap feel twice as heavy.

As I stepped out of the car, I heard music.

Immediately, the internal panic kicked in.

Great… I’m already missing an opener.

I threw the camera bag over my shoulder, picked up the pace, and started speed-walking like every concert photographer who’s convinced they’re about to miss the first three songs.

False alarm.

It was only soundcheck.

My heart rate eventually returned to factory settings.

Having photographed Archers Gate here just a couple weeks ago, Annie’s Music Center already felt familiar. Even better, security apparently remembered me, or maybe they just remembered the guy carrying enough camera gear to film a documentory. Either way, they smiled, waved me through, and I was inside before I had a chance to dig for my credentials.

Experience paid off this time around.

After learning the room during my first visit, I packed smarter and brought the right lens for the venue. Sometimes photography isn’t about buying new gear; it’s about finally admitting you brought the wrong gear last time.

I rolled in around 7:45, set everything up, and waited to see if the advertised start time was more of a suggestion than a commitment.

It was.

While we waited, I swapped stories with a couple of fellow photographers, every pit eventually turns into a support group for people who willingly spend weekends carrying twenty pounds of equipment while trying not to get kicked in the head.

Then the music finally started.

The Openers Set the Tone

Bury Us All came out swinging with the kind of melodic metalcore that scratches the nostalgic itch for fans raised on early 2000s heavy music. Massive breakdowns, tight musicianship, and enough energy to wake up anyone who hadn’t finished their energy drink.

Asayda followed with a polished hard rock set that balanced aggression with melody. Having shared stages with bands like Sevendust, they looked completely comfortable commanding the crowd and kept the momentum moving forward.

Then came Archers Gate.

I’ve already covered these guys recently, but seeing them again only reinforced what I wrote after my first show, they’re becoming one of the more exciting local bands I’ve come across this year.

It probably helped that I’d spent the last week unintentionally memorizing half their catalog after leaving their music on repeat in my car.

Familiarity changes everything.

Instead of spending the set figuring out where the songs were going, I could simply enjoy watching them perform. Emily Schulte once again delivered a commanding vocal performance, while Joseph Bartone, Jake Bartone, and Josh Curran continued proving that chemistry can’t be faked.

Some bands are technically good.

Others simply feel connected.

Archers Gate falls into the second category.

When Everything Goes Wrong… and Nobody Notices

If Life After This had any plans for a dramatic opening using frontman Matt Fritsch’s bullhorn…

…physics had other ideas.

The batteries literally fell out before the show started.

Sometimes rock and roll isn’t glamorous.

Sometimes it’s chasing AA batteries across a stage while pretending nothing happened.

Unfortunately, the bullhorn wasn’t the only issue. House equipment problems seemed determined to make appearances throughout the evening, affecting multiple bands all night long.

Here’s the funny thing about live music, though.

Nobody remembers the gear when the band is good enough.

Life After This didn’t waste time worrying about what wasn’t working.

They simply got to work.

Drummer Matt Johnson laid down an absolute thunderstorm behind the kit, locking in perfectly with bassist Ray Vitatoe to build a rhythm section that felt more like controlled demolition than accompaniment.

Every heavy band talks about having a solid foundation.

Life After This actually has one.

Meanwhile, guitarist Thomas Cheek was everywhere.

Some players stay rooted to one spot and let the guitar do the talking.

Thomas apparently decided both should talk.

His stage movement matched the intensity of his playing, creating the kind of visual energy that photographers secretly appreciate because stationary guitarists make for… let’s just say… less exciting photos.

The Crowd Became Part of the Show

One of the night’s standout moments came when Matt Fritsch climbed off the stage entirely and headed straight into the crowd.

Surrounded by fans in the pit, the barrier between performer and audience completely disappeared.

It wasn’t staged.

It wasn’t forced.

It was simply a frontman feeding off the people who came to see him.

Then came a moment that completely shifted the atmosphere.

Matt invited a couple of young girls onto the stage during a song.

Watching them light up under the stage lights while enthusiastically headbanging alongside the band became one of those moments that reminds you why live music matters in the first place.

Heavy music often gets painted with the wrong brush by people who’ve never actually experienced the community surrounding it.

What they miss is this.

Metal shows can absolutely flatten your chest with volume.

They can also create moments where little kids are welcomed onto the stage to become part of the show.

Both things can be true.

No Bullhorn. No Problem.

Ironically, after all the early drama surrounding the broken bullhorn, I never did get the photo I thought I was going to capture.

Instead, I left with something better.

A collection of images from a band that refused to let technical problems become excuses.

The evening wrapped up with a powerful encore that sent everyone home satisfied, proving that the strongest performances aren’t always the ones where everything goes perfectly, they’re the ones where nothing goes according to plan, and the audience never feels the difference.

Before heading out, I caught up with Thomas Cheek to thank him for the performance and the hospitality.

One final stop at the bar was equally deserved.

I never caught the bartender’s name, occupational hazard when you’re trying to have a conversation next to several thousand watts of amplified guitars, but she took great care of me throughout the evening, and that’s worth recognizing.

Some people remember the songs.

Some remember the lights.

Photographers remember the bartenders who keep the water, okay, soda coming.

Final Thoughts

Life After This proved exactly why they’ve remained a fixture in the Cincinnati hard rock scene for more than a decade.

Equipment failed.

The bullhorn quit.

The house threw curveballs all night.

None of it mattered.

Because when the lights came up, the crowd wasn’t talking about technical issues.

They were talking about the performance.

And in live music, that’s about the best review a band can earn.

Links